Monday, October 31, 2005
Sunday, October 30, 2005
A poem
...mounted, in brushed-steel letters, on a 30ft-high wall. Yeah, that's my new dream. Mind you, it would be far more interesting to mount a replica of an edited page from a manuscript. I'm picturing one page of mine in particular that was recently sent back to me from my editor. I can see it now: a wall of brushed-steel text, complete with brushed-steel circles, strikethroughs, arrows and notes. Brushed-steel question marks.
A list of the 100 most important
...Canadian books will be complied by The Literary Review of Canada and we can put forth suggestions. Lynne van Luven writes about the challenges of this in today's Times Colonist.
Saturday, October 29, 2005
Friday, October 28, 2005
Northern mining town gothic
...is how Winnipeg-based writer, critic and editor Ariel Gordon describes my writing over at Fall Back. I like that.
Fall Back is the latest of Ariel's collaborations. A couple years back Ariel and I engaged in a series of homolinguistic translations inspired by the process Hilary Clark and Steven Ross Smith used in their collaboration, a selection of which was recently published as Pliny's Knickers. We heard them read from it back in 2003. At times I just about fell off my chair laughing. By the way, the chapbook is gorgeous.
Fall Back is the latest of Ariel's collaborations. A couple years back Ariel and I engaged in a series of homolinguistic translations inspired by the process Hilary Clark and Steven Ross Smith used in their collaboration, a selection of which was recently published as Pliny's Knickers. We heard them read from it back in 2003. At times I just about fell off my chair laughing. By the way, the chapbook is gorgeous.
Thursday, October 27, 2005
On this day in 1922
...Virginia Woolf's Jacob's Room was published. I like the quotes from her diary.
Wednesday, October 26, 2005
It would be fun
...to post my latest manuscript on a blog, to just get it out there.
Tonight I'll continue reading Dionne Brand's latest novel. And Simon Armitage's Dead Sea Poems finally showed up. I can't wait to dip into it.
Tonight I'll continue reading Dionne Brand's latest novel. And Simon Armitage's Dead Sea Poems finally showed up. I can't wait to dip into it.
The first image
...in "The Neurobiology of the Self," an article by Carl Zimmer, is fantastic. A Rough Grunt Dictionary caught my eye as well. (From The Loom)
Tuesday, October 25, 2005
Monday, October 24, 2005
Sunday, October 23, 2005
This look at the relationship between comics
...and art museums in the Los Angeles Times begins with a look at Canada and Seth.
The challenge of translating Dante
...is nicely described by Ciaran Carson, author of The Inferno of Dante Alighieri. (From Open Brackets)
Saturday, October 22, 2005
There's a review of my book
...in today's Star Phoenix, but I can't read it. The Saturday paper won't get into town until late Sunday.
In other news, Yann Martel is back in Saskatoon. It is a great city.
In other news, Yann Martel is back in Saskatoon. It is a great city.
Friday, October 21, 2005
"Is becoming lost
...the worst that can happen to a book? Not necessarily. The lost book, like the person you never dared ask to the dance, becomes infinitely more alluring simply because it can be perfect only in the imagination." Stuart Kelly in "Missing Masterpieces."
What if you put glasses
...on Keats? See the resemblance? I've been poking around the Laurence Hutton Collection of Life and Death Masks, watching page after page of faces load. It's kind of creepy.
Thursday, October 20, 2005
Not a bad price
...for 2,472 pages. That's 5 pounds of children's lit. I took a great children's literature course way back when. I still have all the books, The Riverside Anthology of Children's Literature included. That's where I first encountered Henny-Penny.
Ok, my open mike performance
...on the weekend was pretty boring in comparison. Next year I'm bringing props.
Rimbaud
...poems galore. I love the Mondoloni image that accompanies "Vowels." If you sketch in a pair of glasses and a smile, the resemblance is uncanny.
Wednesday, October 19, 2005
This timeline
...of art history and this collection of 3,162 English poems are helping me procrastinate. As if I need help.
Tuesday, October 18, 2005
Just now as I was editing
...a troublesome line in Bone Conduction, my current poetry project, this appeared in my inbox, and in it, believe it or not, I found a solution. Thanks Tracy.
Monday, October 17, 2005
War and Peace
...came in the mail today. The font in this edition is terribly small, so small that my eyes keep trying to read two lines at once. I haven't made it beyond the first page.
Wednesday, October 12, 2005
In the morning I'll head south
...to Regina to check out the Spring launch tomorrow night and attend the SWG conference and AGM on the weekend.
Alberto Manguel will present the Caroline Heath Memorial Lecture on Friday night.
More on Monday.
Alberto Manguel will present the Caroline Heath Memorial Lecture on Friday night.
More on Monday.
Tuesday, October 11, 2005
A mirror now
...inhabits my kitchen. It's taller and wider than me. I get lost in it. Now to get to my office I must walk until I almost run into myself and then turn left.
Here is Plath's "Mirror."
Here is Plath's "Mirror."
Monday, October 10, 2005
Sunday, October 09, 2005
Tonight astronomy blogs
...led me to the antiworld and then to The War of the Worlds. (From Astronomy Blog and Bad Astronomy Blog)
Saturday, October 08, 2005
Absinthe, aka the green fairy
..."has returned to the drinks cabinet of artistic acceptability." Hmm. Edgar Degas and Robert Service certainly thought about its effects.
Friday, October 07, 2005
Entitlement, effectiveness
...and "the unanswerable question of what art is for." David Harsent, winner of the Forward prize, tackles these subjects.
Corpse art
...is a big thing these days. This story in The Miami Herald wraps up with an exchange between a boy handling a cirrhotic liver and the docent guarding the display:
""Is this real?" the boy asked.
"Yes," the docent said.
"How did you get it out?"
"It was dissected after a person died."
"Died? Who died?" the boy asked..."
""Is this real?" the boy asked.
"Yes," the docent said.
"How did you get it out?"
"It was dissected after a person died."
"Died? Who died?" the boy asked..."
Thursday, October 06, 2005
Wednesday, October 05, 2005
Living in isolation vs. living in the scene
...is the topic of my article on Bookninja, an article that contains the thoughts of many contemporary writers from across Canada and abroad.
Tuesday, October 04, 2005
Another brainless list
...this is not. The list of the top science and technology sites chosen by Scientific American includes links to The Whole Brain Atlas and Mind Hacks.
Monday, October 03, 2005
Sunday, October 02, 2005
The relationship between science and aesthetics
...is the topic of a column in Scientific American. It starts out with a little bit of Keats.
Speaking of souls
...this book review by Matthew Creasy begins with this: "James Joyce knew a thing or two about portraiture. “Never mind my soul,” he told the artist painting him. “Just be sure you have my tie right.”"
To dissect souls
...was Edvard Munch's aim, or so this article by Peter Conrad claims. He says that Munch "defined art as a symptom of our 'fear of life'; representation begins at what he called 'the point of impact' - the place where life cruelly digs into us."
Saturday, October 01, 2005
I'm currently reading
...Stan Dragland's Stormy Weather: Foursomes, but I'm spending just as much time feeling up the gorgeous textures of this little hardcover. What a beautiful little book.
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